P&G Cenografia began using Vectorworks in 1996 - back when we were still called MiniCad. #Vectorworks 2016 student softwareAbout 300 workers (among them carpenters, mechanists, painters, electricians, and covering specialists) translated the technical drawings into reality.” Vectorworks - 3D Interfacing Between Design and Olympic CelebrationĬonsidering the above, it would take careful planning to execute the manufacturing and assembly of structures - careful planning best performed by a 3D design software with rapid modeling and detailed documentation features. “We received around 300 technical drawings and details in Vectorworks files from the team of architects and designers, which were immediately analyzed and then printed and distributed to each department in the workshop. The entire construction process was carried out in P&G workshops under the direction and supervision of the experienced construction manager, Julio Gomes. All these difficulties were compounded with the natural tension that comes from planning an event that will be broadcast live to billions of viewers around the globe. And, the mosaic formed by the 73 boxes had to be seen with little-to-no optical deformation to attendees in the stadium. A mechanism had to be present for exchanging the skins. The boxes needed a structure sturdy enough to support a group of performers jumping and dancing on top of them. There were, however, some challenges with Box City. The internal structure of the boxes, which allowed for circulation of the dancers, artists, and professionals, was made of box trusses and structured frames covered by interchangeable "skins" of printed, vinyl canvas. As the name suggests, the scenery consisted of several boxes (or scenic cells) that simulated a city, acting as a multi-level stage where the dancers climbed to perform choreography. Box CityĬonceived by the award-winning British scenographer Es Devlin and production designer and scenographer Daniela Thomas, the idea of the Box City was simultaneously simple and challenging. P&G was also responsible for the operation of Box City during rehearsals, as well as the ceremony. P&G was responsible for the construction detailing of Box City, the development and production of prototypes for systems and materials, the testing for and identification of failures or inadequacies, and the presentation of technical and operational solutions for the construction of the scenery. In preparation for the massive event, the Organizing Committee of the Rio 2016 Olympic and Paralympic Games held an international competition to select the best companies in the world to be responsible for the executive and artistic production of the Olympic and Paralympic opening and closing ceremonies.Įventually, P&G Cenografia was hired to execute the most important scenic element of the opening ceremony of the Olympic Games: Box City, as nicknamed by its creators. We find the design of this project - and how it overcame certain challenges - to be a perfect example of the power that comes with using 3D design software. With the 2020 Summer Olympics finally here, we thought it would be a great time to look back at the spectacular ceremony design from the 2016 Summer Olympics in Rio. Image credit: Getty Images - Richard Heathcole Celebrating culture through design is something that really excites us. These ceremonies also serve as a great way to celebrate the host city. The closing ceremony, on the other hand, is a moment to reflect on the athletic excellence that has taken place over the past month. Like a prism bending light, the opening ceremony harnesses all that anticipation and turns it into something beautiful. And although it is taking place a year after its intended start, anticipation is at a fever pitch. July 23 marks the beginning of the 2020 Summer Olympics in Tokyo.
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